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The Impact of Magical Power in The Tempest by William Shakespeare

The play begins with the storm that gives it its title and also its strength of power. The Tempest is clearly linked to its nature as a play, often drawing connections between Prospero’s art and dramatic illusion. Here art is magic which is the representative of power and the structure and use of power in Shakespeare’s Tempest can be related to his time by examining the governments in Britain. On the other hand, the use of power can be similar as seen in William Shakespeare’s The Tempest and its application in 17th century societies to our society today. As we see, the society of the 17th century, the power and the power of globalization today can be called similar in its direction.

The most important theme in his play is the possession of control and command over others, better known as power. Prospero, Ariel, Caliban, and Nobel of Milan all demonstrate varying levels of control. The play portrays Prospero as a rational, non-occult magician, contrasting that in Sycorax, whose magic is often described as destructive and terrible, where Prospero’s is said to be wonderful and beautiful, but we we can see that Prospero uses his power of magic to control the islander and also to regain his ducal power. Although at the end of the play he casts his spell before returning to society:

“I will break my staff, I will bury a few drops in the ground, and deeper than ever I will drown my book (Act V, Sc. I, 54-57)”

Prospero is given considerable power as a sorcerer and controller of the island’s spirits, and his enemies are delivered to him by storm. It is clear that Shakespeare sees a healing power in drama itself and expresses that belief in this play, and again magic is identified with drama. Yet this very complexity is the source of the play’s simplicity—of its power to entertain, move, and delight our lively and thoughtful souls.

The action of the play is Prospero’s discovery of his enemies, their discovery of themselves, the lovers’ discovery of a new world of wonder, Prospero’s own discovery of an ethic of forgiveness, and the denial of his magical power. Prospero in Act IV begins the process of change that leads to the play’s conclusion. Prospero assures her that he will not hurt them, but that he has another purpose in mind, and as the play unfolds, we see that this purpose is to heal wounds and teach lessons in order to restore the illusion of the world. in the right balance.

In the play Prospero has his enemies in power. It shows that he who can manipulate the illusions of life and mine for his own special purpose will be successful. Prospero actually does a lot to help the romance between Ferdinand and his daughter, and some critics have raised this as an issue, as if he had only manipulated their emotions to suit his revenge. Prospero repeats that he has power over all his enemies and that he will be able to achieve his goals in a short time.

The most prominent features of the play are its possessions in the 20th and 21st centuries include Americanization and globalization, the theme of which is very similar to the theme of The Tempest. As the concept of globalization is mainly a story of exploitation of “other” people as we see from the character of Prospero who exploits the “other” of the island with the help of his magical power. In fact, The Tempest offers something of an initial case of the public life of art in a globalized age, as if the power of globalization is very much like the power of magic.

So the play is an impeccable thought experiment about divinity and power in the Old and New Worlds. Throughout the sixteenth century, the central justification for conquering Amerindians had been that Europe had a religious duty to convert “savages.” With which Shakespeare came to question after nearly 100 years of debate. The play invites the audience into the debate about conquest and colonization. Tempest spoke about Old World issues as well as questions about the relationship between modern-day Europe and America.

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