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The After-Life of a TV Show
When a TV writer or producer thinks about a new show, they are rightly focused on the possibility of attracting a decent audience the first time it airs. If you haven’t decided whether a new TV show idea will bring in the returns they need — or even pay for themselves — the decisive
his later life may be a factor.
Some TV shows have no afterlife at all. These are divided into three categories: (i) poor quality, (ii) black and white and (iii) topical.
I will take these categories one by one:
If a TV show is not up to standard, then it is unlikely to be aired for the first time, let alone in future shows. Poor quality may be due to poor scripting or poor production, or it may be a more technical issue such as inferior sound quality. There are many old TV shows from the 50’s, 60’s and even some in the 70’s that were recorded for TV but where the sound quality was considered insufficient for broadcast quality. However, we may now see some of these broadcasts finally broadcast as modern sound quality improvement techniques are applied. Maybe it’s time to dust off some of those old tapes and films. I assumed that if the acting, script, or general production values were extremely poor, then that in itself might prove to have some perverse value, as sometimes very poorly made TV from a long time ago can be quite funny. Too bad for those who made it, unless they are the owners of the living rights, in which case they could cry all the way to the bank!
Black and white
There are some in their younger years who don’t even know what the term black and white means. Today, films and videos shot in black and white are sometimes used to bring some style to a series. In the past, all television was black and white. The problem is that modern audiences aren’t used to it, and it can seriously reduce the enjoyment of watching a TV show. Black and white shows can be digitally colorized, but this is an expensive business if done correctly. Watch this space, though, as digital colorization of old TV shows becomes easier, some old relics will come out of the woodwork and be screened in the coming years.
While the (technical) quality issues and black and white won’t be a problem for telecasts made today, timeliness still effectively prohibits a telecast from being shown again, except for a single repeat perhaps a few hours or days after the original airing. Whether it’s a comedy show based on current events, a documentary, or a chat show, unless the topics covered are still relevant many years later, these types of shows won’t make any sense to most viewers, except those who they are interested in the history of events. There will be exceptions like shows that are simply too good not to watch again, but even the best documentaries – some of which may be current-day landmarks – will not be watched again, no matter how good they are. Programmers will have to consider the full potential of a TV show, including value in years to come, and unfortunately current shows will have a day or two in life.
Some shows don’t fall into the category of having zero afterlife, but instead do confined after life. These are those shows that are set in modern times, especially where the culture of the day is represented. Pop music shows fit into this category as do fashion shows. Drama, like soap
Operas have limited repeat appeal when the characters are of the moment. These shows often seem out of context if replayed in their entirety, say 15 years later. Some of these shows can make us cringe as they showcase the fashions that were so cool at the time. Another group of shows that fall into the limited life category are futuristic shows. These can be dramas or documentaries that attempt to predict what life will be like in the future. The problem is that they are usually made with modern values and attitudes and can only use modern culture as a background. No matter what future date one of these shows takes place, you can usually time their production date within a few years. As real time catches up with them, their predictions are revealed to be either hopelessly ambitious and unrealistic technology or gadgets that look horrible compared to the real thing that was invented a few years after the show was produced. There are notable exceptions, such as Star Trek, which has achieved an amazing afterlife and is increasingly respected as many of its ideas about technology are seen as feasible and achievable.
And finally, there are shows that have the longest and most valuable afterlife. Historical dramas and documentaries, and wildlife documentaries can be included in this group. History never changes (in theory) and neither does wildlife. In fact, wildlife documentaries may trump all others in terms of afterlife value. This is because wildlife is increasingly threatened and declining as time goes on. This fact will make today’s wildlife documentaries very valuable in 100 years, if current trends continue.
My arguments above are based on current tastes in television shows. I have pointed out that old TV shows have varying degrees of success in today’s programs. However, this is only one way of looking at it. If we free old TV shows from the shackles of having to fit next to their modern counterparts and
Instead of treating them as odd or antiques, then why not repeat a futuristic drama, made in 1962 and based on 2006? As bad as the predictions were, wouldn’t it be fun to see what they had in mind those days? And wouldn’t it be a unique and refreshing experience to watch a pop music show from, say, 1958, complete with commercials from the era? And why not have some old black and white comedies from the 60s, some of which were classics.
There will be a growing demand for old TV shows in the coming years, not as cheap material for modern programming, but as part of a new genre: antique TV. Maybe there is life after the afterlife after all.
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